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Rey formed his own group with the King Sisters (as lead singers) and Frank DeVol, heading for Los Angeles. There followed a build-up period, climaxed with a stay at the Rustic Cabin in New Jersey. So successful was his house band and so much comment did it excite that Rey took his key men and his singers (the Four King Sisters), packed up and went east to try making a go of it as a dance band. In January 1939 Rey left Heidt to become musical director of KHJ, Mutual network station in Hollywood.
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A Soundie film of Rey using the Sonovox is posted on YouTube and further info about Rey and the Sonovox can be found in Dave Tompkins's book How To Wreck A Nice Beach. Along with early Vocoders (initially called Voders), which were initially developed to scramble messages between the Pentagon and field commanders during WWII, the Sonovox innovation was one the first known talk box experiments. The novel combination was called "Singing Guitar", and later became known as the Sonovox. The mike, developed for military pilots, was worn by Rey's wife Luise, who stood behind a curtain and sang along with the guitar lines. Starting in 1939, Rey used a carbon throat microphone to modulate his electric guitar sound. The prototype is kept in the Experience Music Project museum in Seattle, commonly known as the Hendrix Museum. The result was used for Gibson's first electric guitar ES-150. In spring of 1935 Rey was hired by the Gibson Guitar Corporation to produce a prototype pickup with engineers at the Lyon & Healy company in Chicago, based on the one he developed for his own banjo. The other Sisters immediately resigned, followed by Alvino, and then saxophonist Frank DeVol. He took the first opportunity to fire her - when she dropped her microphone and it hit an audience member. In 1938, when the Musical Knight's band landed a spot at the Baltimore Hotel in New York, Heidt was bitter and irritated that the sponsor signed them up because they were impressed by Alyce King's vocals. "And there I met the King Sisters, and I married Luise, one of the sisters, in 1937", Rey later recalled. Here he pioneered the instrument, as well as becoming known for his unique sound, becoming one of the best-known (and best-paid) sidemen in the country, thanks to Heidt's weekly radio program. From January 1932 to early 1939 Alvino played steel and Spanish guitar and in Horace Heidt's musical group, Horace Heidt And His Musical Knights. While playing with Phil Spitalny's orchestra in New York, he changed his name to Alvino Rey in late 1929, to coincide with the Latin music craze in the city.
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Professional musical career Horace HeidtĪlvino played in other bands, including alongside such names as Russ Morgan and Freddie Martin. he had a stage band, sort of like Fred Waring." During this time he also studied guitar with vaudeville performer Roy Smeck. "I spent two years in New York with Phil Spitalny and then went to California," Rey recalled. He signed with Phil Spitalny that same year, playing electric guitar in Spitalny's Orchestra. His career began in 1927, when he played banjo with Ev Jones.
"I went to Lakewood High School and from there I went to New York and never did come back." he recalled.
He practiced amplifying acoustic instruments as a teenager, starting with this first banjo. "Yes, I joined the Union when I was 16", he said. In 1927, Rey landed a job playing banjo with Cleveland bandleader Ev Jones. He began studying guitar at the age of 12, listening to recordings by guitarists Eddie Lang and Roy Smeck.Īt age 15 he invented an electrical amplifier for the guitar, but neglected to have it patented. His interest in music grew when he received a banjo as a tenth birthday gift. He showed very early signs of his mechanical and musical aptitude he built his first radio at the age of eight and, within a couple of years, became one of the youngest licensed ham operators in the country. Early lifeĪlvin McBurney was born in Oakland, California, in 1908, but moved with his family to Cleveland, Ohio. For the most part, he was associated with orchestral, big band and swing music, and towards the end of his career, jazz and exotica. Alvin McBurney (July 1, 1908 – February 2, 2004), known by his stage name Alvino Rey, was an American swing era musician and pioneer, often credited as the father of the pedal steel guitar.
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